You always feel a burden. It is lodged in a compartment in
your chest or in your head. You are not sure where you feel it, but you do feel
it. And you know it does not belong to you. It belongs to your clients. They
keep it with you, so that it does not kill them or drive them mad.
Unemployment is your job. Did you laugh? Are you wondering
how this could be so? You think unemployment is a jobless condition. How come
it is your job?
Your work day starts as early as 7 a.m. since you have
little else to do in you small home. You shut the only door firmly and slam the
padlock to a firm lock while the early morning coolness caresses every bare
skin and slips beneath your clothes. Though this has reduced since you started
wearing English suits to work after you read John Maxwell’s book on packaging
yourself for success. You now wear a black or grey suit with a variety of
neckties and colourful shirts. You mismatch colours a lot but you don’t know
this. A heavy bag always accompanies you to and from work. It always contains a
lot of paper. Your neighbour’s chickens beat you to it and are usually already
at work, rummaging around the compound as you step out into the certain day
ahead of you.
As the Okada rider
speeds through Keffi town, you sit there, behind him, but you don’t see the
town as it rises from a night of rest. You don’t see the roadside traders
setting up their wares and the people strolling to their work places, mostly
with adopted enthusiasm. You see the residual of the previous day’s work and
the planned highlights of the present day.
You order rice and fried plantain from Haija immediately the
Okada man drops you off in front of
the roll of small shops opposite the big Federal medical centre. Her sales-girl
greets you: ‘Uncle Stanley good morning’ and avoids your eyes. Your shop, Stanlo Business Centre is one of the
small shops and Haija is the roadside food vendor who caters for your breakfast
and lunch. You arm-twist her now and then and she gives you a few pieces of fried
plantain for free.
You admire your shop as you stroll towards it. You commend
the good work you did painting it a deep blue colour that contrasts sharply
with the light, off-white colour of the other shops, making it stand out in the
eyes of an observer. Your stomach grumbles and you look back towards Haija’s
makeshift arrangement of coolers and plates. You catch her sales-girl watching
you, but she hides her eyes immediately.
She brings the food a few minutes later. It sits in between
two flat plastic plates. She does not say anything but places the food at the
exact spot she does every morning. As
she leaves, you say: ‘Na gode, Thank you’
Today Sule is your first client. Since you read John
Maxwell’s book, you call your customers ‘clients’. He is wearing his worn, six-button brown suit with
a blue shirt and a patterned necktie. You are sorting through a file of resumes
when he marches in, smiling knowingly at you.
‘My guy, how today?’ Sule greets. He is holding a leather
folder.
‘I dey. You don ready?’
‘Yes O!, I go pinish
them por dat interview today.’
You always notice his accent. He replaces 'f'' with 'p' and vice versa.You immediately chuckle in your thoughts at the statement. He has failed to ‘finish them’ for three consecutive years. But you admire his hope because John Maxwell talked about the importance of hope in another book you have read. You watch the sharp contrast between Sule’s white teeth and his dark skin with amusement. He draws a seat.
You always notice his accent. He replaces 'f'' with 'p' and vice versa.You immediately chuckle in your thoughts at the statement. He has failed to ‘finish them’ for three consecutive years. But you admire his hope because John Maxwell talked about the importance of hope in another book you have read. You watch the sharp contrast between Sule’s white teeth and his dark skin with amusement. He draws a seat.
‘What time is the interview?’ You ask.
‘Nine o’clock’
‘Where... Remind me’
‘Na dat new sugar pactory
way den build por …’
‘Ok, I remember. I thought you said you would not work in a
factory again?’ You say, in Hausa.
‘I said so. But it was the ill-treatment at that paint
factory where I worked that informed my decision. Those people dealt roughly
with me. But this one would not be like that.’ He says in Hausa and adds in
Pidgin English, ‘na Hausa man get am. And ferson
go chop. As I dey, any work I see I go do.’
You keep sorting through the large file of resumes,
arranging the resumes according to the applications of their owners. Those who
have their eyes on the Nigeria Immigration service, others on the Customs
service and the rest are seeking openings in the Prisons. These are the three
government establishments presently recruiting, and thousands are applying
nationwide. The Nigerian National Petroleum Corporation closed to applications
a week ago. Your fingers are still sore from all the typing. You take care of most of the Keffi crowd of
applicants because of a knack you have for connecting personally with people
and because your internet cafĂ© stands out in its blue colour. Other ‘business
centres’ respect you and their owners stroll in sometimes to get the latest
information. ‘Is the JAMB scratch card out? When would the Civil Defense Corps
start recruiting? Has the Air force recruits list been published online?’
Things have gone online, so job seekers, most of whom have
little computer knowledge come for your services. They dump their resumes and
credentials with you, alongside a fee of one thousand five hundred naira. They
leave you to fill the online application forms. They hope to find their names
when the list of successful applicants is published online. You charge them two
hundred naira to check their victory or defeat. They never realize that when
you filled the slot that asked about their motivation, you spelt ‘quota’ as
‘quarter’.
You tell Sule a bit of the things you have read in Maxwell’s
book. This is one of the things that draw people to you, your long talks about
vision and mission and personal branding and corporate packaging. You say them
in bad English and pronounce ‘mission’ as ‘mixion’ but they don’t care or they
don’t know.
Sule leaves at exactly eight o’clock, beaming with the smile
of a victor even though he is yet to be. You sense that he would get the job,
but not because his performance at the interview would be outstanding, rather
because the factory needs manual labourers. His Higher National Diploma
Certificate notwithstanding, he would be a manual labourer. You hope he would
get the job you are helping him apply for at the Nigeria Immigration Service.
By noon, your shop is fiercely hot and deafening (the
electricity generator makes loud noise). The heat in this part of the country is at
its peak during the dry season and the sun stands out sharply at ten in the
morning. You pity those scheduled for interviews at this time. The queues are
usually as long as socialist food lines. People would sweat off their energies
and body odours would dominate the air.
Pitifully, most of them never get the chance of being interviewed. The tired interviewers slip away through back
exits and hours later the security men announce ‘Go home and come tomorrow. We
have closed’. By the ‘tomorrow’, the venue would be empty. Some of such
disappointed applicants would branch at your shop with the news. Then they will
ask about other openings. They would not need to submit resumes or credentials,
you would have copies already. They promise to pay later, saying: ‘You know as
I dey’.
Emeka, the young man that sells what he calls ‘designer
wears’ next door, pops in to make mundane small talk before declaring that he has new stock from
Onitsha. He sells Polo Ralph Lauren shirts whose logos have ridiculously large
horses standing erect on all fours. Some omit the jockey or his riding crop.
Some of the Lacoste shirts on his rack have their reptiles coloured blue.
Sule returns later in the afternoon. He says a fight broke
out among the applicants at the Sugar factory and they were all chased away.
They had waited three hours before any one attended to them. He sits in your
shop due to lack of a better thing to do. He takes off the suit and spreads it
on the backrest of a chair. His shirt is soaked with sweat.
‘I would go back to the commercial motorcycle business. The
man is ready to give me a bike anytime. But he has raised the daily returns to
one thousand naira.’ Sule says in Hausa,
looking distractedly at a poster on the wall that reads: ‘Recruitment, Recruitment,
Recruitment… start now and get your dream job’
‘It is better than doing nothing.’ You reply.
When Sule leaves, he says he is going for prayers. It is
Friday. You know that every Friday afternoon, the Muslims go to the mosque and
business is brought to a halt in Keffi. The fruit stalls and fabric stalls that
line the street where your humble shop sits become temporarily closed as the
men that own them hurry off to pray. Government establishments around here work
‘half-day’ on Fridays.
Annie shows up in the evening. You always resist the
temptation to call her Annabel Nwankwo, as is written on her documents. She
looks in her mid-thirties and you are sure that is the truth, and not the
twenty-six years she claims in the declaration of age document she goes to
secure at the court every year. She has been twenty-six for three years now.
‘Stanley, how are you?’ She greets. Her eyes sparkle and you
know she must have good news.
‘I am fine. I have plenty pending work; you people will not
let me rest.’
‘We hope to let you rest soon. We pray.’ She says,
meaningfully and lets out a sigh.
You don’t know whether to say ‘amen’ or ‘God forbid’ so you
keep quiet and smile at her.
‘How are your students?’ You ask.
‘They are fine. But no be that one I go chop’ She replies,
laughing. She teaches at a low standard
private school with makeshift wood and zinc structures. When it rains schooling
is very difficult. The teachers speak bad English and grumble about low
salaries.
You can barely see her from the other side of your wooden
counter. She is a short lady with the sort of light skin peculiar to Ibo
people. From what you have gathered from discussions with her, you know she
came to Keffi on the wings of The National Youth Service Corps and did not
return home because there was nothing to return to. She has a brother in Abia
State University who she sends money to, for his upkeep. Her parents are
terribly poor and it was a miracle that she graduated with a Bachelors degree
in religion studies.
‘My uncle in Abuja says he has spoken to someone on my
behalf.’ She says.
‘Really?’
‘Yes. My name would come out when the list of successful
applicants is released.’
‘Prisons abi?’ You ask.
‘Yes.’
You know the man in
question is not her Uncle. She does not have any Uncle in Abuja, the dear
capital city which is a thirty minutes drive from Keffi. But you have resigned
from judging her. You have decided that hunger and suffering can push people
beyond their limits till they snap and do things they are ashamed of; like
Annie does when she resorts to flirting every time she cannot afford your fee.
She would laugh too much and seize every opportunity to touch you.
When you turn off your electricity generator, it is seven in
the evening. You slam the padlock hard and it makes a loud thumping sound as it
smacks against the metal door. You allow the heavy bag to encumber your left
shoulder as you stroll tiredly away from Stanlo
Business Centre.
You heart is still burdened with pending work. You wonder if
you can meet the deadlines of some applications considering the number of
applicants who have engaged your service. Particular faces flash across your
mind. You remember the pain with which they spoke about their failed attempts
at employment. You remember the faded clothes they wore. The faces increase in number, they move like
a slideshow and you attach names to them. Abdul, Michael, Ibrahim, Sylvia… you
know a lot of them. Statistics say they make up 23.9% of the labour force. But
you know them beyond the numbers and cold figures. You feel their hearts and
you see their faces.
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